1. fragilespace:

E hoi e, mixed media, 2001 - John Armleder

    fragilespace:

    E hoi e, mixed media, 2001 - John Armleder

  2. 22 May 2013

    82 notes

    Reblogged from
    sid766

    (Source: sid766)

  3. 22 May 2013

    89 notes

    Reblogged from
    jruckman

    jruckman:

    Fabergé Fractals by Tom Beddard, using his WebGL-based fractal engine, Fractal Lab.

  4. in the good part of youtube rn 

  5. iamdeathconvoy:

    tom-sits-like-a-whore:

    42nddoctor:

    anothertimesforgottenspace:

    worth scrolling all the way up to reblog

    I expected your mother, but this is way better.

    YES THIS IS EXACTLY WHAT I’M TALKING ABOUT

    I was amazed and then…

    (Source: applepiesfromscratch)

  6. (Source: endthymes)

  7. 
Syd Mead

    Syd Mead

    (Source: carlburton)

  8. ushijima1129:

(4) Facebook

    ushijima1129:

    (4) Facebook

  9. unstablemonkey:

Scaled Composites White Knight

    unstablemonkey:

    Scaled Composites White Knight

  10. 15 May 2013

    27 notes

    Reblogged from
    demons

    demons:


Overlooking a bombed out bridge, Melvin Shaffer with camera and two helpers from a signal corps unit on the autobahn between Nuremberg and Munich.

In Shaffer’s own words: “They [Signal Corps helpers] were on loan to me to photograph the Dachau concentration camp. One of the ironies of war is portrayed here: the ‘front’ was just a mile to our east, the German forces leaving this area just two or three hours before. It was and continued to be an amazing fact to me that things could become so peaceful so fast following a horrible battle.
The bridge column is the remaining part of an autobahn bridge over a valley. The Germans were in such a rush to retreat that we did not worry about mines and booby traps, as they simply did not have time for it at these later stages of the conflict.”

    demons:

    Overlooking a bombed out bridge, Melvin Shaffer with camera and two helpers from a signal corps unit on the autobahn between Nuremberg and Munich.

    In Shaffer’s own words: “They [Signal Corps helpers] were on loan to me to photograph the Dachau concentration camp. One of the ironies of war is portrayed here: the ‘front’ was just a mile to our east, the German forces leaving this area just two or three hours before. It was and continued to be an amazing fact to me that things could become so peaceful so fast following a horrible battle.

    The bridge column is the remaining part of an autobahn bridge over a valley. The Germans were in such a rush to retreat that we did not worry about mines and booby traps, as they simply did not have time for it at these later stages of the conflict.”